Sonnet II: The Devoted

So fine are ye who hold the line unsung
By any but those proud few men who know–
By virtue of their own devotion; though
They boast not how they crossed an ocean; young;

An age at which so few would broach, among
Themselves, such grave and worldly things; who show
The world, by deeds, that matters which bestow
Such life! such death! affairs of kings! who slung,

So rife with breath, together, tales told
And sung, and written down, with reverence;
Who know the price which, sometimes, must be paid;
Who, though as any, fear malevolence,
Dare throw down tyrants, numbering untold;
Who pay with blood–the sum that freedom weighed.

This sonnet is part of a short sequence; click here to read it all:

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Sonnet: Perfection

When hast thou seen, as meant for only thee,
Such eyes as widen gaily at thy sight?
And at thy voice a face that ever bright
Hath lit as though thy soul hath set it free.

And hast thou heard a voice so peacefully
Conformed, as though it found a place to light
As warmly and as permanently might
A thing as claimed its perfect place so be?

Or hast thou not this wonder ever seen?
And hast thou not this perfect moment felt?
Nor felt thine own eyes widen, as for thee
Delighted by thine own, that face hath been?
Hast not thou love, as hath my love for mee?
Hast not thine heart within perfection dwelt?

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Intro: When I Write About Love

I’d write about love
I could write all day and night
The words would pour out

But I think it would
because of my own true love
be all too easy

I think I could write
Thrice as I have written once
Time would almost stop

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Sonnet: The Evolution Of…

Things in life evolve. I, now uncaught on
Detail, resolve that haiku, when planned more
Strictly, will not break a single thought on
Separate lines. On the other hand, for

Sonnets, great shrines more strict, more pursuing
Sound; the stricture of both could recombine
With pressure when mixed together. Doing
Round numbers of haiku, would misalign

Within a sonnet. It makes me sigh, too;
For, on my honour, I’d cry if that myth
Were true. Instead, there must be eight haiku
To see it through; and then I combat with

Four pale sounds. And its sextet, for a
Tail, sports “etcetera, etcetera.”

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Intro: Evolution

Things in life evolve
I, now uncaught on detail,
resolve that haiku,

when planned more strictly,
will not break a single thought
on separate lines.

On the other hand,
for sonnets, great shrines more strict,
more pursuing sound;

the stricture of both
could recombine with pressure
when mixed together.

Doing round numbers
of haiku, would misalign
within a sonnet.

It makes me sigh, too;
for, on my honour, I’d cry
if that myth were true.

Instead, there must be
eight haiku to see it through;
and then I combat

with four pale sounds.
And its sextet, for a tail,
sports “etcetera,

“etcetera.”

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Sonnet III: Where I Rest

So quiet thou beside me; so austere
Dost thou confide thee, silently to sleep.
Angelic thou, delightful; though as clear
Dost thou alight believe thou safe to keep…

Thee well protected, do I; and so sweet
Thy dreaming true; mine angel wouldst appear.
And though thou art about me; so discrete
And so devoutly, shall I hold thee near…

And dearly do I wrap thee, my surround
I would enrapt, be to mine own replete.
Delight at once to hold thee and abound
That once untold, rejoice for thee complete…

And wound about thee tightly; and so deep,
Profound, and knightly… love thee; yet I weep….

This sonnet is part of a short sequence; click here to read it all:

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Sonnet I: No More

No touch, no sleep, no rest, no love like mine
For thee, shall ere console me in my place
Of rest.  No more shall any weight of thine
My breast console.  No more, thy fairest face,

Within my whole creation be contained.
No more shall I awaken, feel my heart
And thine, and should not feel that there be twain.
Not rhythm, nor our beings, be made to part.

No more shall flesh be moved nor move mine own
By neither wish, nor thought, nor even touch,
To such a fervent height as we have known–
As only I and thou have felt this much.

Must I, in perpetuity, endure
No more, no more, no more, no more… no more….

This sonnet is part of a short sequence; click here to read it all:

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