At rest she lieth down within her bed,
Doth close long lidded eyes, though not to sleep
In her repose for soft, round limbs to rest;
And then, in longing yet, her thoughts toward him:
Of words so closely shared, or left unsaid;
Such secrets, told or not, as cause to weep;
With his remembrance tight against her prest,
Though now, so tattered, once yet thought a whim,
Her tears to calm, his favour held instead,
That holdeth now her heart in safety’s keep,
To lull, so sweet her countenance, to rest–
Then close her eyes again, as night grew dim.
And once we wed, doth dream my love now deep,
As blest, our lives entwined, as any hymn.
This sonnet is part of a short sequence: click here to read it all:
David Emeron: Sonnets 
I am at a loss to explain why you eschew iambic pentameter in your form exercise, as you say, “even if the poem makes no sense.” Although “One thing at a time” might be a guess at your answer–which certainly would make a degree of sense. Still the iambic rhythm is most definitely a thing to get ones head around.
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