…interesting and fun to write. Particularly sequences. However, a month or two ago, I rediscovered, by way of another poetry blogger, the non syllabic form of haiku. This using 5 – 7 – 5 word count, rather than counting syllables. I have been favourably disposed to doing those, however of late have discovered yet another way to meld my love for sonnets with my interest in Haiku. Continue reading
Tag Archives: Pseudo Haiku
Sonnet: (template) (Haiku/terza-rima/tanka) Coming (perhaps) soon to a website near you
This pattern occurred to me several days prior. I have experimented with sonnets containing word-wise or word count haiku in one form or another. And have made some notes regarding some that I might soon attempt.
I have never, on the other hand, written a sonnet in terza-rima which at that time a few days ago, also struck me as an ideal rhymescheme for embedded haiku. But even more recently, yesterday evening on my way home from running a few errands, it suddenly made some sense to me that if I concluded the sonnet with an embedded tanka, I would not need to include a 15th line or include an extra line representing a rather long title (in iambic pentameter.) In this way, I believe I might combine these two oriental forms with sonnet form seamlessly.
Furthermore, having considered the fusion of the two and/or three forms at some length, I have devised five differing rhymeschemes as shown in the diagram below:
line words Rhymescheme: 1 2 3 4 5 ----------------------------------------------- 1) 5 A A A A A 2) 7 B B B B B 3) 5 A A A C A 4) 5 B B A A C 5) 7 C A B C B 6) 5 B C C D C 7) 5 C A C B D 8) 7 D C D C E 9) 5 C D C D D 10) 5 D C C B F 11) 7 E D D D E 12) 5 D E E E F 13) 5 [7] E D F E G 14) 7 [x] [D] E [D] D [F] 15) 5 [7] E [D] F [E] G ------------------------------------------------ .
In all cases, I believe line 14 (the one with the ‘x’) would be omitted in favour of the tanka termination. This would give a 7 word concluding couplet rhyme to end each piece regardless of which of the five rhymeschemes I might use.
I therefore am getting a bit closer to writing something specifically for Kanzensakura–something I would very much like to do.
Sonnet XIII: Falling
Extraordinary blooms, ye mustn’t fall,
Although bereft of you I plaintive sing;
Complete, your gifted dedication all–
For nothing–your renunciation; bring…
To me, my restlessness, one restful gift,
Another consequential tear, one ring…
Of truthful blossoming, cascading swift,
Of falling and of blowing, gently brave;
Traversing mountains, even oceans, lift–
Beyond torrential, gentle blossoms gave;
Beyond such starfields, drop and bloom perfect;
Away… beyond temporal counting, save…
Our loneliness, do each to us affect;
As petal-drops, alone, our days reflect.
- For Kanzen
who knows….
This sonnet is part of a short sequence; click here to read it all:
Sonnet: The Evolution Of…
Things in life evolve. I, now uncaught on
Detail, resolve that haiku, when planned more
Strictly, will not break a single thought on
Separate lines. On the other hand, for
Sonnets, great shrines more strict, more pursuing
Sound; the stricture of both could recombine
With pressure when mixed together. Doing
Round numbers of haiku, would misalign
Within a sonnet. It makes me sigh, too;
For, on my honour, I’d cry if that myth
Were true. Instead, there must be eight haiku
To see it through; and then I combat with
Four pale sounds. And its sextet, for a
Tail, sports “etcetera, etcetera.”
Intro: Evolution
Things in life evolve
I, now uncaught on detail,
resolve that haiku,
when planned more strictly,
will not break a single thought
on separate lines.
On the other hand,
for sonnets, great shrines more strict,
more pursuing sound;
the stricture of both
could recombine with pressure
when mixed together.
Doing round numbers
of haiku, would misalign
within a sonnet.
It makes me sigh, too;
for, on my honour, I’d cry
if that myth were true.
Instead, there must be
eight haiku to see it through;
and then I combat
with four pale sounds.
And its sextet, for a tail,
sports “etcetera,
“etcetera.”
