Sonnet V: All About Me

Again, doth stir in pretty slumber so,
But slight, her waking; dreameth then of he
Whose bearing and whose presence seemed unique.
And he, of small advantage, seemed as wise;

Yet hardly did aware, he seem, nor know;
Was more, that either view, than blind decree.
About him still, so more than just mystique;
Yet not conceit, as others she’d surmise.

And of his expertise, might nothing show;
Unless such confidence she chanced to see.
And might she little know of such technique,
Unless through conversation might surprise.

Though not precisely modest, I’d agree,
My love wouldst speak my greatness (most unwise!)

This sonnet is part of a short sequence; click here to read it all:

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Sonnet IV: Her Remembrance of My Music

From out his music here doth ’round me spin
A fabric, quickly woven, as of light,
From golden thread of gossamer, so fine,
This shield around me now; and I inside.

And here! I see the hues of light within,
That dance about me, furious in flight;
And here! I see his music tryst and twine
And mimic and encircle and collide.

His song that maketh touch and sight therein
And sound, and taste, and even scent, unite;
Where memory of past and future, mine,
Shall join, and like a prism, subdivide.

So why reach out when all within is right?
For here, confined, doth all my soul reside!

This sonnet is part of a short sequence; click here to read it all:

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Intro 4: How I Play

Regarding my music,
My sweetheart wrote me a poem;
And so beautiful.

I fear it was lost,
forever lost or taken;
lost to both of us.

I recall some lines;
I remember its structure;
But not perfectly.

And I very well
recall how it made me feel,
long ago, in spring.

So I give my love
All that I now remember,
Within this sonnet:

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Sonnet I: His Favour

At rest she lieth down within her bed,
Doth close long lidded eyes, though not to sleep
In her repose for soft, round limbs to rest;
And then, in longing yet, her thoughts toward him:

Of words so closely shared, or left unsaid;
Such secrets, told or not, as cause to weep;
With his remembrance tight against her prest,
Though now, so tattered, once yet thought a whim,

Her tears to calm, his favour held instead,
That holdeth now her heart in safety’s keep,
To lull, so sweet her countenance, to rest–
Then close her eyes again, as night grew dim.

And once we wed, doth dream my love now deep,
As blest, our lives entwined, as any hymn.

This sonnet is part of a short sequence: click here to read it all:

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Love Torn | Lyrical Love

I wrote the following in response to RL King (Lady Day) , not intended it to be poetry, but with the intention of subverting my penchant for wordiness:

Anyone can write.
Anyone can show reality.
Or even bend it to the surreal.
Or to the abstract.
Even bend it to the romantic with your will.
Not everyone can see like this.

Not everyone can see
The romantic in reality.
Not everyone understands.
That to be romantic.
You do not have to bend reality.
You only have to see what is there.
And not ignore the romantic in it.

Just remember–
Just not forget to remember–
Remember not to forget–
Or pretend not to see–
Or pretend you don’t know–
Or deliberately deny–
Or malevolently distort–
What is actually there.

This is what you do when you write.
You see.
You see how it is all there.
If you are not sure it is real.
Because you do not know it directly.
If you simply are sure.
Like there is an instinct telling you.
An intuition.
You believe it.
Sometimes shyly
Sometimes boldly.

When you do this.
Others will see.
They will step forward.
Some will deny it.
But more will say:
“Yes. I see that too.
“I was afraid to tell anyone.
“How beautiful I thought it was.”

via Love Torn | Lyrical Love.

Sonnet: 101.8

About me all reality doth spin,
The ground beneath my feet doth buck and twist,
My eyes alight on anything herein,
And will perceive its panic-worthy list.

And panic is the most confused of sound
Which swells and whirls around my pounding ears,
Confusing and directionless: its sound,
Exacerbating measureless: my fears.

Perceive I not the matter I may touch,
As whether hard or soft, or hot or cold.
Although such nature hardly matters much,
such things are all completely uncontrolled.

My digits, my appendages feel thick
I think I am most positively sick.

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