Sonnet IV: The Wraith who Danced

I close mine eyes–tight, to thee reprise–
Where vision’s current, swift; thy vision swept…
Away to take–fearing so to wake–
And quell thy current’s vision, tender slept:

For Love, I chance–came to thee, thy dance–
To beauty’s gracing thrill, my thrill to weep.
Thou leapt to fall–held me fast, thy thrall–
So lovely flight to last my thrilling sleep.

Too sweet thou shone–beguile unbeknown–
So dreamt I, never wake, thou wouldst mee tempt;
For sweet thou shine–gaspingly divine–
As moved me all to dream wherein I dreamt.

For, Love, I die… than–to vision’s eye–
Unlid thy current’s dream; my thrill, condemnt.

This sonnet is part of a short sequence; click here to read it all:

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Sonnet I: Waiting Is

And I…  have lost all life, all breath, all heart,
All sound, all sight; all sense hath left me blind.
For all I run to thee while sleep, apart…
I dare not hope but glimpse thee so confined;
But crystaled tears, this vision, showeth art;
And only then should know thy tears as mine.

I know thy lidded eyes press forth my tears;
And beg thee ope’ these jewels; see me there
Entreat thee, from this blindness, end my fears;
Wake thee, and wake thou me, from out this sleep,
This phantasm, this darkness, this nightmare;
And dare I thee to wake, wherefore I weep.

For thou, thy faith, thy dream, as pure whereby–
Waiting…  hoping… ever for mee… as I….

  • To my love;
    who hath for me
    ever waited.

This sonnet is part of a short sequence; click here to read it all:

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Intro 1: Sometime Last Century…

I am still
hushed
poised
waiting for you
not daring
to brush the tears
away
from my closed eyes
fearful
of jarring myself
from this sleep–
I wait…

Sonnet II: His Passion

I hear it in his song, as I perform;
With expectation, I anticipate
What challenge wrought that worthy hands conflate.
What fingers, nimble, delicate, and warm,

What mastery was he seeking to transform?
I hear him call, with each I recreate,
And call again with Phrygian passion.  Great,
I hear him call, as doth a raging storm.

I hear it in the sadness and the joy,
As in capriciousness, or wayward games;
I hear it gravely serious, then coy;
In every moment, hear how it proclaims.

The instant when the Andaluz appears,
I hear it, sweet as sin, across the years.

This sonnet is part of a short sequence; click here to read it all:

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Intro 2: Fairytale Couple

It May Not Be So
But then, from whence does it come?
Where, if not from this?

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Sonnet I: When He Fell

Might he have fallen when he saw her face,
If so enchanting was her smile–too young
Must she have been–and tyrian among
Oviedo’s great; or when she danced, so graceful

Were her palmas and her whirling lace,
She gave him tantalizing baile–flung
Careening adoration; when she sung,
As Andalusian cantos did embrace

Regarding not her reach; or did the sound,
Laughing delicate from out a learner’s
Able hand–nimble, did her fingers bound,
Tripping lightly over octaves–earn her

Triumph; with–crossing leagues of royal blue–
Iokean lips, though never history knew?

This sonnet is part of a short sequence; click here to read it all:

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