…an ode/sonnet again. I think I have in mind the method to make such modular sonnets sound like sonnets. It has to do with the beginning and ending of clauses.
Anyway, for posterity, here is the Sonnet reformatted in ode form: Continue reading
…an ode/sonnet again. I think I have in mind the method to make such modular sonnets sound like sonnets. It has to do with the beginning and ending of clauses.
Anyway, for posterity, here is the Sonnet reformatted in ode form: Continue reading
…blank verse first, rhymes last sonnet. I spent enough time on this one that I’ll put the former in the queue. I prefer this version. It’s at least up to the minimum standard in that the flow of iambs are mostly preserved. It’s currently scheduled to go up on the 7th of October.
…related in a way I just discovered. Regarding these two, the first is a reflection of an ode to S.T.C. (of Ancient Mariner fame) Which is written in iambic heptameter in ten couplets, or five quatrains, if you prefer (and incidentally, the way it was originally written.) This ode will you find down below within the grey box. Continue reading
…wiling away the hours… I enjoy ferreting out mistakes, missteps, and grammatic mishaps. But I’m still not what I would term a good editor. The peculiar thing about the way I read, is that I tend to read a spoken speed, and hence I hear mistakes in recitation. I tend to miss others though I tend to catch those that others may miss.
…interesting how, in general, creating a rhyme scheme in advance is more effective and efficient than creating blank verse in advance and fitting the rhyme scheme later. Until I had tried both methods I would not have guessed this. Writing the blank verse first is more useful if you have a specific work you wish to adapt to sonnet form; however, writing something brand new is much easier the other way around. It’s easier–much easier–working an idea into 14 evenly spaced lines that already rhyme, than it is to write fourteen lines of blank verse and modify it to conform to one rhyme scheme or another.
…is the result of some very rough blank verse being converted to a sonnet. I really didn’t go overboard here in my rhythmic adherence to the form. I’m not sure what I think about the result. This one hung around as a draft for a number of days. I’d work on it absent-mindedly for a handful of minutes here and there and finally finished it a few days ago and placed it in the queue.
This method has yielded better results and easier results in the past, particularly when I was not certain the direction I wanted to go on a particular work.
I may do a bit–possibly quite a bit–of lucasing on this one because I am not completely satisfied with the result. There is a level of satisfaction I consider to be a minimum requirement. I needn’t think a particular sonnet shall move heaven and earth by its art in order that I might be satisfied in it; however I like to think I proficiently used all the various techniques that I intended. If I do a complete rework of this piece, then I think I’ll leave this one alone and enter it as another sonnet–perhaps link them together.
We shall see.
…I may have mentioned earlier, wherein one writes down the rhyming words in the order in which they will appear, with no idea of the subject. The requirement I set myself was that these words must not be rearranged, but must be left as they are.
I, in italics, the original words, so that, more easily, that which, around them, may be seen to have been written, have left. (I’m not entirely certain why I have just written the previous sentence using German word order.) (For those for which the previous sentence caused a “stack overflow error:’ I have left the original words in italics, so that the way in which the words have been written around them, may be seen more easily. OR: I put italics on the original words so you can see how I added the rest of the words.)
This has been a capital way to compose a sonnet! Much easier than the one in which I compose the blankverse first and then add the rhymes. Mind, my usual method is just to start at the beginning and write; however, this method tempts me because it really does take less time.