Sonnet I: Warriors

Have the Gods of the Copybook Headings,
Tall… by you wretched deceivers controlled;
By the Knights of the Copybook spreading,
All… of the truths of your lies will be told.

They have burned all the books you have written;
When… all your books were rewritten with lies;
They’ve uncovered the books you have hidden,
Then… they have ripped from your face its disguise.

They have cast you to fall from the towers,
How… they, you ‘surpers, they’ve torn from their thrones.
Though you’ve cast your aspersions by hours,
Now… you’ll be lucky to pick though the bones.

Not a gauntlet was raised nor contrasting
Frown… for they did it by lifting us high.

This sonnet is part of a short sequence; click here to read it all:

Eyes of Fire; Feet of Brass:

My most dear Mrs. Emeron–so very sweet is she–oft-times refers to me as “a full gospel atheist,” and sometimes as “a full gospel agnostic.”   My very best friend, who is, in fact a full gospel, “full-on,” Mathematician for the Lord–as fully Christian as are so very many mathematicians–insists that I, Beloved of God, am possessed of the gifts of the Spirit–particularly that of Prophesy.  This is away and aside from my natural (Yote might say, God given) abilities regarding pattern recognition, which some might call my speciality.

How did I arrive at this strange place?  How did I come to be in this unusual condition?  I’m not sure I understand it myself.  Still, I might go so far as to say it is all in my background.

Today’s sonnet, or should I say, today’s return to arms, is religious in nature, and more specifically Christian, and more specifically still, Charismatic and onto being full gospel.  So I am fortunate then, in whatever unintended spiritual proclivities with which I may be endowed.

This offering is the result of a series of discussions.  It did require a bit of research, I am embarrassed to say; as, although the spirit is quite willing, the flesh–in particular, the memory–is weak.  And, not wishing to misquote the Almighty nor any of his Prophets or Apostles, I felt some specificity was warranted.

In structure it is a Reverse Petrarchan/Italian in the form: 1221, 2112, AABCBC; however it contains 5 embedded tercets which are of two tetrameters followed by one pentameter in the form AA1 BB1 CC1 DD1 EE1, which perfectly encompasses 13 lines.  Its Volta begins with the first syllable of the last line, which caps the 5 tercets off nicely.   So this one can be read in this way, if one desires, or one might read it in such a way to emphasize its sonnet structure.

And here is where I click the random links below without investigating their veracity or lack thereof.

Sonnet: Brief Candles

These two sweet lights so lovely, do I bear
To watch them fade? Each to each as fair,
Such rapt attention weighed. So adored,
But see the other dim, must each prepare?

Must I accept their fate without despair
As once I disobeyed? Lit so rare,
Have black and auburn greyed?  What reward,
If these and all Thy countless lights repair?

I’m not my mind nor body? Tell this lie
When you are old; and you will not believe.
Behold, within the mirror: Is it I?
Or this, within my portrait? Should I grieve
That I, decay within the mirror, see;
When bright, within my portrait light, is me?

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Winter Shadows | Lyrical Love

Winter Shadows
By ~Lady Day December 30, 2012

The Day of long shadows has descended, as they scream with the light
Words spinning away the truth, as I fight.
You ask for my voice time and again
It feels broken and over-used, swimming in the shallows of dim.

So I’ve nestled down, into a deep sleep like deathly night.
Obscure evening shaded, tucked away from all sight.
Snuggled up with the sadness and smiles of hibernating doze,
I await Spring’s return, for the sun to melt what has froze.

Sheltered away from the Storm that takes all, that swirls the Day
A tempest of gray clouds, pulling at the trees, uprooting what I’d say.
This Day of long winter shadow, bladed with the scorching orange through the grim
The Day, has become darkened and dim.

The words are growing cold in the frosted mist I breathe
They fall, but are heavy, too heavy for me, to heave
Onto my back and drag into the sun with cold hearted fingers and lung
Ten thousand songs I have sung…

I do wonder, what were they all for?
For what purpose, I’m just another opposite to the cure,
Another pale figure wandering in this mist
What good are the words that bleed from this wrist?

Seven million souls upon a teetering ship headed t’ward a ledge
How many will stop, not pitch over the edge?
The words I often feel in my soul
They are heavy, yes. They have a toll.

What I have to say, to speak, trust me, you’d not hear a word
In person, my thoughts would never be heard.
So all the poetic writing and verse, rhyming and thought…
These Days, I think so often, a waste, is it not?

Then I hear voice upon voice ask for return
I think on it all, I listen, I learn…
I speak more to myself it seems these Days…
My world so often filled with a haze of bitter grays.

What good is a voice that feels lost in the labyrinth of seeking truth,
To old to be foolish, to young to be free as youth.
Not old enough to be wise, just a house poet
I once said, ‘I’m not good at much, and I know it.’

Tell me, what has changed? Nothing…still just a silly girl with a pen
And some Days, I care not if it never bled again.
Pointless and a waste of time…
Really, that’s what I feel so often, everytime my brain asks to rhyme.

These words are not to evoke pourings of encouragement or dipped in self pity
I dig into my life ’til my hands are busy, dirty and gritty
Coated in pursuits coated in love and family
This poetic world, what is it, some insane fantasy?

Imaginary worlds and I, tango and dance, weave and part,
It was always thus, truly from the start.
Some times I just think the imaginings, their world, the song voice of the poetess,
Well, no offense to all the beautiful poets, but at times, it’s useless.

Imagine, a poet who doesn’t really believe in the worlds that exist in the mind
That the one that exists, is seen too clear, is the worst kind
Where the best are poets, the worst run the joint,
I see the filth of humanity, and I get the point.

Some times the poet in me wishes to scream at all, as they seem blind
But truth and years, instead, teach me to be patient and kind.
So, I’ve closed my tongue much, as the Winter has fallen deep in this land
I grasp only one, by an invisible hand.

So broken the world, where we all live and die.
The words… they break, they scream, they sob, they cry.
So I lay hidden for now, this slumbery sleep curled beneath my tree,
Awaiting, and longing, for the Day, that again feels free.

Why you keep pulling me forth, out of my den, why?
There are many a poet here, many who are deep, talented, though perhaps do not Bely…
But the depth stirs at times deep, brooding and needs to silence in fear of harsh thought this time of year
This season of ‘joy and giving’ that actually breeds suicide, sadness and tear.

So…it makes sense to silence, rather than spoil those who still believe this myth and lie
Than explain, write, extend ‘holiday wishes’ and not need to explain why.
I fit really, no where at all, between worlds and alone in my mind of thought
So for compassion, to allow what others believe, I’ve wrote not.

So now you know…some of the reasons, quiet I have gone
I would stay thus, but you’ve plead for a glimmer of dawn
Time will tell, if I can break the walls that I’ve built bout my soul
The protection from the tear down, well, like everyone else, keeps me whole.

I await a world, much like the one we all dream of
One surrounded in mankind’s goodness, peace, joy and love…
To speak of such things though, seems always turned away
They’ve been much on this mind, this Hope, is sealed in this Day.

I could write on and on, until the breaking of time and space,
Bend back and forth thought, but, for now I make haste…
Go to seek knowledge of my God, to give the Almighty worship and praise,
Really, the only place of protection, in these, what feels to be, in all honesty, ‘the last days.’

Sonnet X: Labyrinth

His shape as pleaseth me, this fiery art
Doth longsome dream to me whilst gripped in sleep.
Shot through with lightning’s fire, doth dream impart
Such thrill: convivial to wake, to weep,

To think it trivial that thence I’ve gone,
That this Oneiran path: forever lost;
Not Morpheus, nor Hypnos’ other Spawn
Reveals’ this darkened place to whence I crost;

For these three Sons shall ‘ever show
A mortal man each labyrinth but once.
So at my waking hour, must I go
Away within imaginings, unless some bunce

Befall me; kindly providence might choose
To call me with such luck as I may use.

This sonnet is part of a short sequence; click here to read it all:

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Sonnet IX: Eros Philia Agape

As perfect thee, thine image as thine art:
Sublime, as sculpture’s ideations see;
Though mere in thought do such ideals exist,
My hands believe perfection thus to be.

Do not I trust this truth my hands impart
When next they touch conviction wrought of fire:
This certitude of which mine eyes insist
When they confirm withal my hands acquire;

Wherefore our brothers, hath He given heart
That for the other, petuous, will burn;
For she, from whom our brothers’ ribs consist,
Do all of us, this undespoilt, yearn.

For one: with art, we praise His strength thereof;
The other: doth enlist with us His love.

This sonnet is part of a short sequence; click here to read it all:

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