This latest…

addition to a sequence, comes at rather a late hour, in more ways than one.  I have been preoccupied with a trip I am planning to take at the beginning of April, 2013–the first of such travel in quite a long while for me.  I found myself avoiding everything–including thought.  Still, tonight I had to see if I could push through it.  I am pleased to see that I am able to do so.  I have posted tonight’s entry which is now scheduled to go up on the 28th.  So the “addition” link will not be live until then.  The “sequence” link is good, but will not include the new entry until then.

The newest entry is a Reverse Spenserian with alternating rhyme at the first of the line–alternating similar sounds.  Plus a few internal rhymes as well.  The Reverse Spenserian scheme has a slowly metamorphosing rhyme sound scheme.  So each new rhyme is related to the last in some way.  And each alternative rhyme is related to its former by an addition of an ‘R’ sound added to the final vowel syllable.

Sonnet II: At Rest

At last, the dawn, in perfect form, I see
So formed, a positive reality.
Its purple state, its perfect choir, unveil
To shine, inspiringly, its song on me.

With form, and measure never void, it brings
A subtle mastery of the world it sings.
Without abash, I hear it tell a tale
Of majesty, and many more such things

Which burn with glory’s power, as they shine
Upon this shadow dappled world of mine.
My dreams are splendour, as they dance–prevail
With measure, and with form, and perfect line!

And dance I shall, as light–as mirrors bright
Reflect–avails, ’til dark, ’til death, ’til night!

This sonnet is part of a short sequence; click here to read it all:

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The 101:

I have three steps so far from freeverse to decasyllabic line.  Next will be blankverse: in which I should approach iambic pentameter.  Five sounds of two syllables each all of which have a feminine first syllable and a masculine second.   And as was my plan before I was so rudely interrupted by existential sadness, I am backfilling with this project.  Which, thus far, I am enjoying greatly.  There is also some new material not related to this that I am in various stages of completing.  So, unless my work ethic disappears along with my sadness, I shouldn’t think I’ll have too much difficulty catching up.

Here is the sequence as it sits so far:

This is, of course, not a formal course, as I have neither qualifications nor experience with composing such things.

I may do a write up on each entry; however, as of now, this is not planned.  My more classically enabled sweetheart and, two dear and much more classically educated friends might be willing to help me with suggestions as to how to arrange such a thing.   Still, since I have the impression that this project will, at best,  receive one or two hits here and there, I am in no rush to do so.  Regarding the evolving sequence and the progressing sequence to follow, the sonnets themselves are the most important.

 

I’ll have enough to do as it is in catching myself up, as it were!

Wish me luck!

The Course:

This first round will be
the gradual evolution of one piece only.
I believe I shall show

the same or similar examples
But each one differing in subject matter
In the next short series.

I had originally written the above as the introduction to the first sonnet in the first series, both of which are mentioned above; however my sweetheart has written such a lovely piece–or, more accurately, I took down verbatim the naturally poetic words she quietly uttered when nearly asleep.  And for some reason, although I confess I had written it first–that is, before her lovely words I posted–here we have another moment of synchronicity wherein what is the first offering in the series is an answer of sorts.   I had originally intended to use a much more tame subject; however I tend toward perversity whether I intend it or not; and as usual, I have gone the other way.  In any case, I shall leave my sweetheart’s wonderful words where they are, as I have found that moving things about can have disastrous results for a number of reasons, not the least of which is that wordpress.com’s so called permalinks  are…  well…  not permanent.

In any case the “course material,” if such it can truly be called, is here: