Intro 4: How I Play

Regarding my music,
My sweetheart wrote me a poem;
And so beautiful.

I fear it was lost,
forever lost or taken;
lost to both of us.

I recall some lines;
I remember its structure;
But not perfectly.

And I very well
recall how it made me feel,
long ago, in spring.

So I give my love
All that I now remember,
Within this sonnet:

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Part V of the…

…slowly unfolding female series, is rather an interesting one technically.  Composed, including its title, of word-count based haiku, which, as I have discovered lately can be written in iambic pentameter.  10 syllables per line, with 5 iambic feet, which consist of a feminine (unaccented) syllable followed by a masculine (accented.)  I do love additional constraints, they almost always make for an interesting sound, even if clarity is an even greater challenge. Continue reading

Haiku introductions are…

…interesting and fun to write. Particularly sequences. However, a month or two ago, I rediscovered, by way of another poetry blogger, the non syllabic form of haiku. This using 5 – 7 – 5 word count, rather than counting syllables. I have been favourably disposed to doing those, however of late have discovered yet another way to meld my love for sonnets with my interest in Haiku. Continue reading

There are some sonnet projects…

…even single ones, that require so much thought, that it is far less painful to work on them a little at a time. Works such as this one take at least a few days of thinking upon. I would revisit the draft at least once per day, type a note or two, or a phrase I thought was usable. Anything that occurs between periods of sleep is always easier. It just comes together almost like magic all of a sudden. Continue reading