Tag Archives: Beauty

Sonnet II: What Is Kept

Posted by David Emeron on

Take care young girl in what thou keepest real,
For what thou real profess, wilt thou become;
And be thy carriage drawn to thine ideal,
Wherefore should–pure for thee–white horses come?

This trap  thou,  from  thy cold demesnes, create;
So frozen deep canst thou escape therefrom;
May not thy carriage, soul with ice conflate;
Through frost, could–lost to thee–white horses come?

How good or sweet, when meanness harsh thy word,
Bereave thine heart, and lovely spirit numb?
For passed thy carriage, thine entreat unheard;
And would–nor should to thee–white horses come.

Thy carriage, see to rancour’s cost, succumb.
And ne’er–not ere for thee–white horses come.

This sonnet is part of a short sequence: click here to read it all:

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Intro 2: Reality May Bite

Posted by David Emeron on

What is real to thee
So real does it ever seem,
May be a phantom.

Take care this realness
Is not a dagger with which
To slay thine own soul

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Sonnet I: What Is Lost

Posted by David Emeron on

Readeth not these lines; they are not, young girl,
For thee. They are, to souls like thine, forbidden,
Though they may betray what hast thou hidden
In thine heart, these words should not unfurl

Thy feelings. Thou hast cast thy lot to hurl
Them, stealing–strong or even weak, amid
The squealing swine to be forever hid–
From thine own soul, unknowing, every pearl.

Readeth, thou must not, these lines; they do not
Describe what hast thou chosen. Even now,
Thine heart is frozen. Thou hast cast thy lot
Not winning life, but dreary death; for thou

Hast chosen strife, bereft of song and verse;
And all thy long tomorrows are a curse.

This sonnet is part of a short sequence: click here to read it all:

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Intro 1: If Only

Posted by David Emeron on

Could you see in Spring
what I have seen in Summer,
you might have chosen

fulfilment in life
in Fall to better yourself.
And then, looking back,

you might even see
how desolate in Winter
your life might have been,

if you had never
made that fateful decision
on one Spring morning.

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Sonnet: Perfection

Posted by David Emeron on

When hast thou seen, as meant for only thee,
Such eyes as widen gaily at thy sight?
And at thy voice a face that ever bright
Hath lit as though thy soul hath set it free.

And hast thou heard a voice so peacefully
Conformed, as though it found a place to light
As warmly and as permanently might
A thing as claimed its perfect place so be?

Or hast thou not this wonder ever seen?
And hast thou not this perfect moment felt?
Nor felt thine own eyes widen, as for thee
Delighted by thine own, that face hath been?
Hast not thou love, as hath my love for mee?
Hast not thine heart within perfection dwelt?

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Intro: When I Write About Love

Posted by David Emeron on

I’d write about love
I could write all day and night
The words would pour out

But I think it would
because of my own true love
be all too easy

I think I could write
Thrice as I have written once
Time would almost stop

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Intro: Evolution

Posted by David Emeron on

Things in life evolve
I, now uncaught on detail,
resolve that haiku,

when planned more strictly,
will not break a single thought
on separate lines.

On the other hand,
for sonnets, great shrines more strict,
more pursuing sound;

the stricture of both
could recombine with pressure
when mixed together.

Doing round numbers
of haiku, would misalign
within a sonnet.

It makes me sigh, too;
for, on my honour, I’d cry
if that myth were true.

Instead, there must be
eight haiku to see it through;
and then I combat

with four pale sounds.
And its sextet, for a tail,
sports “etcetera,

“etcetera.”

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